composition//performance//musical mutations//glass transitionism
5/22/17 Announcing a collaboration between Pianos without Organs and Immanence Front working to bring to life the mutant pianos first proposed in David Pocknee's What Some Dead White Guy Did article in CeReNeM Journal 5. There will be a series of live performances of the remapped and detuned piano works coming shortly as well as a library of midi rendering. We are happy to share the first iteration. More to come!
5/29/17 Immanence Front performs a new collaborative work at The #BigTeen Festival featuring Eli Namay, Emily Beisel, and myself.
3/4/17 Launched new performance group Immanence Front at Pall Mall in Chicago. Documentation of disembodied disemboweled disarticulated can be seen here: vimeo.com/207204656. It can be heard on soundcloud here: soundcloud.com/user-948498575/disembodied-disemboweled-disarticulated
1/17 Several of my scores and recordings to be included in the library at MATRIX, Belgium's primary new music center. Announcement in their newsletter coming soon
12/17/16 Launched the gather series at Comfort Station in Chicago. gather is a new music series combining strands of experimental music practice in the city, co-curated by Adam Shanley, Allen Moore, Nick Meryhew, Rebecca Himelstein and myself.
11/16 Eli Namay's article Imploding Signs, on our collaboration An object that is not oriented appears in Cacophony Magazine:
10/8/16 An object that is not oriented and So many nails piercing the flesh, so many forms of torture premiere at the Pianos without Organs festival in Greywalls Hall, Raleigh, NC. Videos of those performances are linked below:
8/1/16 The only improvisation is being born for Emily Beisel (bass clarinet) and Eli Namay (double bass) premieres at the Experimental Sound Studio in Chicago. A recording from that concert can be found in the works section.